{"id":26947,"date":"2022-03-24T18:55:56","date_gmt":"2022-03-24T18:55:56","guid":{"rendered":"https:\/\/aura.lt\/portfolio\/sprendimas\/"},"modified":"2023-12-27T17:13:46","modified_gmt":"2023-12-27T17:13:46","slug":"game-changer","status":"publish","type":"portfolio","link":"https:\/\/aura.lt\/en\/portfolio\/game-changer\/","title":{"rendered":"GAME CHANGER"},"content":{"rendered":"
[vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true” content_placement=”middle” thb_scroll_bottom=”true” thb_scroll_bottom_style=”style3″ thb_scroll_bottom_color=”light” css=”.vc_custom_1648146366454{padding-top: 30vh !important;padding-bottom: 30vh !important;background-image: url(https:\/\/aura.lt\/wp-content\/uploads\/2022\/03\/Sprendimas_1.jpeg?id=866) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_class=”portfolio-mast-head”][vc_column thb_color=”thb-light-column” el_class=”text-center”]\t
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GAME CHANGER<\/span><\/span><\/h1>\n\t\t\t<\/div>\n\n\t[vc_column_text animation=”animation bottom-to-top-3d” el_id=”country-id”]BIRUT\u0116 LETUKAIT\u0116 (LITHUANIA)[\/vc_column_text]\t\n\t\tREAD MORE<\/span>\n\t\r\n\r\n\r\n<\/svg>\r\n\t\t<\/a>\n\t\t[\/vc_column][\/vc_row][vc_row el_class=”align-center” css=”.vc_custom_1648062308187{padding-top: 10vh !important;padding-bottom: 6vh !important;}” el_id=”portfolio-info”][vc_column thb_color=”thb-light-column” offset=”vc_col-lg-7 vc_col-md-9″]\t
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About performance<\/span><\/span><\/h2>\n\t\t\t<\/div>\n\n\t[vc_empty_space height=”10px”][vc_column_text animation=”animation bottom-to-top”]\n
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Oppression may seem safe, clear, and lasting, but the nature of humanity is not made for that \u2013 the more we are under pressure, the more our hidden need for freedom rises to the surface.<\/p>\n<\/div>\n[\/vc_column_text][vc_column_text animation=”animation bottom-to-top”]\n

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The dancers will have to cope with the limited possibilities of movement that my costumes offer them. Then again, handicaps, and coping with handicaps, are always an interesting challenge. The dancers will have to refrain from big gestures and instead focus on subtle movements, making this performance even more interesting.<\/p>\n

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Guda Koster<\/strong><\/p>\n<\/blockquote>\n<\/div>\n[\/vc_column_text][vc_column_text animation=”animation bottom-to-top”]\n

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Costumes have become the inspiration for choreography. These huge costumes perfectly reflect the restrain that our society has to overcome. They restrict the movement of dancers in all senses. This is a physical and mental limitation. But within the human being there was always the spirit of freedom and the desire to break out of the system. There was a very interesting creative process while thinking of how those forms can be transformed through the movement, when you start the liberation from uncovering the eyes until the full liberation.<\/em><\/p>\n

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Birute Letukait\u0117<\/em><\/strong><\/p>\n<\/blockquote>\n<\/div>\n[\/vc_column_text][vc_column_text animation=”animation bottom-to-top”]\n

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Music plays a very active role in dance. The viewer always hears it. Silence is also music. Music can be as an independent phenomena, taking place in parallel with dance and living its own life. You can play extremely interesting games with the sound of dance. For example, after a dynamic choreography, silence comes. And silence is music also, when you hear the body sounding, the dancer breathing, as if a dancer is filling up, bending. It is enough to have one sound to resonate the audience.<\/em><\/p>\n

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Antanas Jasenka<\/em><\/strong><\/p>\n<\/blockquote>\n<\/div>\n[\/vc_column_text][vc_empty_space height=”30px”][\/vc_column][\/vc_row][vc_row thb_full_width=”true”][vc_column][\/vc_column][\/vc_row][vc_row el_class=”align-center”][vc_column thb_color=”thb-light-column” offset=”vc_col-lg-8 vc_col-md-9″][vc_row_inner el_class=”align-justify”][vc_column_inner thb_color=”thb-light-column” width=”1\/2″ offset=”vc_col-lg-5″][vc_column_text]\n

Choreography<\/h4>\n

Birut\u0117 Letukait\u0117<\/p>\n[\/vc_column_text][vc_column_text]\n

Lights<\/h4>\n

Vladimiras \u0160erstabojevas<\/p>\n[\/vc_column_text][vc_column_text]\n

Costumes<\/h4>\n

Guda Koster (Netherlands)<\/p>\n[\/vc_column_text][vc_column_text]\n

Music<\/h4>\n

Antanas Jasenka<\/p>\n[\/vc_column_text][vc_column_text]\n

Voice<\/h4>\n

Ilja Gun<\/p>\n[\/vc_column_text][vc_column_text]\n

Premiere line-up<\/h4>\n

Blake Seidel, Chiara Corbetta, Clara Giambino, Erik Zarcone, Evgenii Kalachev, Jasper Narvaez, Julija Mintaut\u0117, Matthew Livingston, Marine Fernandez, Mei Chen.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner thb_color=”thb-light-column” width=”1\/2″ offset=”vc_col-lg-5″][vc_column_text]\n

Dancers<\/h4>\n

Arno Verbruggen, Hayleigh Smillie, Hueng Won Lee, Julija Mintaut\u0117, Lin van Kaam, Marine Fernandez, Matthew Livingston, Natsuho Matsumoto, Thibault Rousselet.<\/p>\n[\/vc_column_text][vc_column_text]\n

Premiere<\/h4>\n

January 26th, 2018, Kaunas<\/p>\n[\/vc_column_text][vc_column_text]\n

Duration<\/h4>\n

60 min.<\/p>\n[\/vc_column_text][vc_column_text]\n

Art director of the theater<\/h4>\n

Birut\u0117 Letukait\u0117[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text animation=”animation bottom-to-top”]Photo: <\/strong>Svetlana Batura[\/vc_column_text][vc_gallery gallery_type=”thb-portfolio” lightbox=”mfp-gallery” images=”913,914,915,916,917,918,919,920,921,922,923,924,925,926,927,928,929,930,931,932,933,934,935,936″ img_size=”full”][vc_video link=”https:\/\/www.youtube.com\/watch?v=4ilLzfhmaK8&ab_channel=AURAdancetheatre”][\/vc_column][\/vc_row]\n<\/section>","protected":false},"excerpt":{"rendered":"

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