{"id":26963,"date":"2022-03-25T09:45:33","date_gmt":"2022-03-25T09:45:33","guid":{"rendered":"https:\/\/aura.lt\/portfolio\/laikini-seseliai\/"},"modified":"2023-12-27T17:08:15","modified_gmt":"2023-12-27T17:08:15","slug":"ephemeral-shades","status":"publish","type":"portfolio","link":"https:\/\/aura.lt\/en\/portfolio\/ephemeral-shades\/","title":{"rendered":"EPHEMERAL SHADES"},"content":{"rendered":"
[vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true” content_placement=”middle” thb_scroll_bottom=”true” thb_scroll_bottom_style=”style3″ thb_scroll_bottom_color=”light” css=”.vc_custom_1648661605434{padding-top: 30vh !important;padding-bottom: 30vh !important;background-image: url(https:\/\/aura.lt\/wp-content\/uploads\/2022\/03\/laikini_seseliai_klpd04-new.jpeg?id=1422) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_class=”portfolio-mast-head”][vc_column thb_color=”thb-light-column” el_class=”text-center”]\t
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EPHEMERAL SHADES<\/span><\/span><\/h1>\n\t\t\t<\/div>\n\n\t[vc_column_text animation=”animation bottom-to-top-3d” el_id=”country-id”]VANGELIS LEGAKIS (GREECE)[\/vc_column_text]\t\n\t\tREAD MORE<\/span>\n\t\r\n\r\n\r\n<\/svg>\r\n\t\t<\/a>\n\t\t[\/vc_column][\/vc_row][vc_row el_class=”align-center” css=”.vc_custom_1648062308187{padding-top: 10vh !important;padding-bottom: 6vh !important;}” el_id=”portfolio-info”][vc_column thb_color=”thb-light-column” offset=”vc_col-lg-7 vc_col-md-9″]\t
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About performance<\/span><\/span><\/h2>\n\t\t\t<\/div>\n\n\t[vc_empty_space height=”10px”][vc_column_text animation=”animation bottom-to-top”]\n
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The culture of progressive consuming is freatening not only the material but also our spiritual life. There is a problem, there\u2018s also already chewed-up solutions to that problem. Fast divorce, fast loans, soon enough fast marriage through internet will also be a thing of common reality. It is as much easy to divorce as to spill your cold tea, instead of reheating it. All of this we give as heritage to our children.<\/em><\/p>\n

Choregrapher Vangelis Legakis, currently living in Hong Kong, invokes the term \u201eindividuation\u201c of the psychiatrist Carl Yung while presenting the idea of the upcoming dance performance which describes the process of human development, during which the person conciously isolates himself from others but unites with his body, mind, spirit and emotions while understanding their interdependance. \u201eHow to harmonise the relation between people of traditional attitude and contemporary generation of youth? What to do in order to reach the development of nowadays kids not as separate individuals, but as united organism \u2013 a part of society which creates harmonious and happy families?\u201c<\/p>\n<\/div>\n<\/div>\n[\/vc_column_text]\t

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About choreographer<\/span><\/span><\/h2>\n\t\t\t<\/div>\n\n\t[vc_column_text animation=”animation bottom-to-top”]\n
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Vangelis Legakis<\/strong>\u00a0studied dance theatre and choreography at the Laban Centre in London. Since 2004 he has been visiting regularly The Forsythe Company with which he performed in 2006 \u2018Human Writes\u2019 in Frankfurt. Also he danced pieces by Lea Anderson and Scott Smith as well as he has been performing in his own choreographies. He has formed The Van \u2013 L Dance Company with which he has been touring his productions in Europe. His choreographies include \u2018The Beginning of Something\u2019, \u2018Aphanisis\u2019, \u2018Octave Stance\u2019, \u2018In Between and Around Liminal Places\u2019, and \u2018En-Pour -Soi\u2019 (In-For-itself) have been performed so far in UK, Denmark, Belgium, Albania, and Greece.<\/p>\n

Vangelis has strong influences by Rudolf Laban, William Forsythe, Skinner Releasing Technique, diverse martial arts techniques, philosophy (phenomenology), and neuroscience through which he has originated new ways to approach dance practice and choreography. This has led him to create his own dance language and a methodology for creating dances \u2013 Methodology of Transcendental Choreology. He has participated in research projects with neuropsychologists working on EEG bio feedback for enhancing performance and has been researching rigorously, as well as applying in his work, the affects and effects of emotions and feelings to improve performative aspects.<\/p>\n<\/div>\n<\/div>\n[\/vc_column_text][vc_empty_space height=”30px”][\/vc_column][\/vc_row][vc_row el_class=”align-center”][vc_column thb_color=”thb-light-column” offset=”vc_col-lg-8 vc_col-md-9″][vc_row_inner el_class=”align-justify”][vc_column_inner thb_color=”thb-light-column” width=”1\/2″ offset=”vc_col-lg-5″][vc_column_text]\n

Choreography<\/h4>\n

Vangelis Legakis (Greece)<\/p>\n[\/vc_column_text][vc_column_text]\n

Light design<\/h4>\n

Vladimiras \u0160erstabojevas\u201c<\/p>\n[\/vc_column_text][vc_column_text]\n

Costume design<\/h4>\n

Kristina Sviderskait\u0117<\/p>\n[\/vc_column_text][vc_column_text]\n

Music<\/h4>\n

Antanas Jasenka<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner thb_color=”thb-light-column” width=”1\/2″ offset=”vc_col-lg-5″][vc_column_text]\n

Premiere line-up<\/h4>\n

Blake Seidel, Chiara Corbetta, Clara Giambino, Erik Zarcone, Evgeniy Kalachev, Jasper Narvaez, Julija Mintaut\u0117, Matthew Livingston, Marine Fernandez, Mei Chen.<\/p>\n[\/vc_column_text][vc_column_text]\n

Premiere<\/h4>\n

2018 February 24th, Klaip\u0117da<\/p>\n[\/vc_column_text][vc_column_text]\n

Art director of the theater<\/h4>\n

Birut\u0117 Letukait\u0117[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text animation=”animation bottom-to-top”]Photo: <\/strong>PROKADRAS.LT (Indr\u0117 Pix)[\/vc_column_text][vc_gallery gallery_type=”thb-portfolio” lightbox=”mfp-gallery” images=”1007,1005,1019,1018,1017,1016,1015,1014,1013,1012,1011,1010,1009,1008,1006,1004″ img_size=”full”][vc_video link=”https:\/\/www.youtube.com\/watch?v=u1v5ARB9eKY&ab_channel=AURAdancetheatre”][\/vc_column][\/vc_row]\n<\/section>","protected":false},"excerpt":{"rendered":"

[vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true” content_placement=”middle” thb_scroll_bottom=”true” thb_scroll_bottom_style=”style3″ thb_scroll_bottom_color=”light” css=”.vc_custom_1648661605434{padding-top: 30vh !important;padding-bottom: 30vh !important;background-image: url(https:\/\/aura.lt\/wp-content\/uploads\/2022\/03\/laikini_seseliai_klpd04-new.jpeg?id=1422) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_class=”portfolio-mast-head”][vc_column thb_color=”thb-light-column” el_class=”text-center”][vc_column_text animation=”animation bottom-to-top-3d” el_id=”country-id”]VANGELIS LEGAKIS (GREECE)[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”align-center” css=”.vc_custom_1648062308187{padding-top: 10vh !important;padding-bottom: 6vh !important;}” el_id=”portfolio-info”][vc_column thb_color=”thb-light-column” offset=”vc_col-lg-7 vc_col-md-9″][vc_empty_space height=”10px”][vc_column_text animation=”animation bottom-to-top”] The culture of progressive consuming is freatening not only the material but also…<\/p>\n","protected":false},"featured_media":26292,"comment_status":"closed","ping_status":"closed","template":"","tags":[374],"yoast_head":"\nEPHEMERAL SHADES - 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